 
             
			  
		  "There's no one else who sounds like Dan Hicks, who
      writes like him, who has that 
      dry sense of humor, or has that manner on stage. He's
      really one of a kind."
      -- San Francisco Weekly
  "So few truly original figures exist in pop music that
      Dan Hicks should be a national treasure." 
      -- San Francisco Chronicle
      Singer-songwriter Dan Hicks is truly an American
      original. Since the early 1960s, Hicks has deftly
      blended elements of Swing, Jazz, Folk and Country
      music to create the appealing sound he sometimes calls
  "Folk Jazz".
The lyrics of his songs range from the simply sublime
      to the sublimely ridiculous, all presented with his
      uniquely skewed and inscrutable touch. Dan's
      irresistible sense of rhythm, hip lyrical styling,
      laid-back vocalizing, and infamous on-stage wit will
      make most who listen fans for life. He's a snappy
      dresser, too.
      Dan Hicks was born December 9, 1941 in Little Rock,
      Arkansas, the son of a career military man. The family
      moved to California when Dan was about five,
      eventually settling in what was then the small city of
      Santa Rosa, some 50 miles north of San Francisco.
      Musically, Dan started out as a drummer, beginning
      while still in grade school. He played the snare drum
      in his school marching band, and by the age of 14 was
      playing gigs with area dance bands. 
      In High School, Dan developed an interest in
      broadcasting, and had a rotating spot on a daily
      15-minute local radio program called "Time Out for
      Teens". He entered San Francisco State College in
      1959, eventually earning a degree in Broadcasting. He
      took up the guitar around '59, and became part of the
      San Francisco folk music scene, playing and singing in
      local coffeehouses. In the spring of 1965, Dan became
      the drummer for a nascent San Francisco folk-rock
      group called The Charlatans, who at that time were
      more of a concept than an actual working band. They
      did, however, find employment that summer as the house
      band at the newly-opened Red Dog Saloon in Virginia
      City, Nevada. The popular hallucinogen-fueled dances
      held at the Red Dog were the direct inspiration for
      the legendary psychedelic San Francisco dancehall
      scene that blossomed shortly thereafter. In addition
      to drumming, Dan also played guitar and sang with The
      Charlatans, performing some of his original songs. The
      Charlatans played for several years at all the noted
      San Francisco halls, but never achieved the commercial
      success enjoyed by other groups that came on the scene
      after them, such as Jefferson Airplane, The Grateful
      Dead and Quicksilver Messenger Service. As Dan
      explains it, "The Charlatans were kind of
      dysfunctional anyway. There was no real management,
      and it was just kind of some loose guys". Dan had
      other ideas about the kind of music he wanted to make,
      and began putting together an acoustic combo which
      included two female backup singers, who were dubbed
  "Lickettes". Billed as Dan Hicks And His Hot Licks,
      the group began as an opening act for The Charlatans.
      However, Dan soon left the Charlatans and focused his
      energy on the Hot Licks. Their efforts resulted in a
      recording contract with Epic Records. "Original
      Recordings" was released in 1969, but Epic's promotion
      of the album and the group was lackluster, and it was
      not a commercial success. 
      After some personnel changes, and a deal with Blue
      Thumb Records, what had then become the "classic" Hot
      Licks ensemble went on to produce the critically
      acclaimed and commercially successful albums "Where's
      The Money?", "Striking It Rich" and "Last Train To
      Hicksville". But, owing to pressures both internal and
      external, Dan broke up the Hot Licks in 1973, at the
      height of the band's popularity. Dan then began a
      low-key solo career of acoustic performances. He wrote
      music for commercials, television, and movies--
      including the music for a never-released Ralph Bakshi
      animated film. That music was eventually packaged and
      released in 1978 by Warner Bros. Records as "It
      Happened One Bite", with cover artwork by Dan. In the
      1980s, he formed The Acoustic Warriors, a male combo
      with whom he toured. In 1994, they recorded the superb
      (and now out-of-print) live CD "Shootin' Straight",
      for the Private Music label. 
      Dan signed with Surfdog Records in 1998. "Beatin'
      The Heat", Dan's first studio opus since 1978,
      featured a return to the Hot Licks name and format -
      complete with new Lickettes - and was released in
      August of 2000. It garnered rave reviews, and was
      chosen by Time.Com as one of the Top Ten CDs of 2000.
      A live CD ("Alive & Lickin'") soon followed. 
      In September of 2003, Surfdog released a DVD/CD
      package featuring much of Dan's 60th Birthday Bash
      concert, as well as interviews with musicians of note
      speaking about Dan's influence. 
      2004 saw the release of "Selected Shorts", a dynamic
      and critically acclaimed studio CD, featuring
      contributions from such stars as Jimmy Buffett, Jim
      Keltner, Gibby Haynes, Van Dyke Parks and Willie
      Nelson. 
      Today, Dan tours worldwide with an updated version
      of the Hot Licks, and occasionally gigs at various
      jazz venues in the San Francisco Bay Area as a
      vocalist, with Bayside Jazz. 
      Not only does Dan continue to delight his long-time
      fans, he has earned the attention of a whole new
      generation of music lovers. 
Copyright ©Nighteagle Productions. All rights reserved.
            Design and hosting by Woollybear